UFA-Wochenschau 468/1965 13.07.1965

1st Israel Museum in Jerusalem title: the Israel Museum - image: two young people before the statue. UN car drives through Jerusalem. People walk through a street. Total of Jerusalem. Door of the Israel Museum opens. People enter. People go through the exhibition. Painting of Rembrandt's "Moses", great. Contemporary paintings, "Negro with violin". Girl faces mosaic. Ancient texts of the apocryphal Scriptures from the finds at the dead sea. Girl face, great. Statues. Young man and young girl in front of statue. Hand of a stone figure, great. Move to the character.

02. portrait Heinz Rühmann title: not just comic - picture: Heinz Rühmann. Still photographs Rühmann from old movies, great. Salzburg: Atelier mirror: "The great love merry-go-round". Studio with lights, camera and actors, total. Johanna Koszian and Richard Münch, half-close. Heinz Rühmann go to, who it turns out, totally. Klaus Halliday interviewed Heinz Rühmann. Klaus Halliday, great. Actuality: "Mr Rühmann, is the choice really so difficult?" - "Yes, the choice of subject has actually no more difficult, as it always was, but if today do not care, and embarks on the journey, how we just met, you get nothing, because the authors offer a curiously no substances. I have the materials today actually more audience travel, and Of course you may not require that these materials offered one, are now ready for rotation."-"what roles have been your favourite?"-"Yes, I can not say. Love, each role was actually me. If one approaches his work with the necessary seriousness, Charly's aunt has become just like me as the captain of Köpenick or the Švejk. I find humorous things that you can start and start that something is not with enough seriousness, and has become actually slowly becoming more and more so in my life of knowledge, one must take humour seriously."-"Find only others or To find you on the canvas is funny?"-" Yes, so, if I may chat that from school, I have to say "", that I have distance to the things that I've done and that I myself discovered it that I laughed about me even on already."-"your hobby is flying. Operate this deliberately as a sport or relaxation just flying For you?"-"Yes, flying is a sport and flying is relaxing, but I think it's more than that for me. Flying is my life, and I am running it now yes over 30 years, and it is actually, and I am happy, I have to say when I'm away from the Earth and fly." Close-ups lifting Ecker and Heinz Rühmann. Movie clip with Heinz Rühmann from "The poor soldier Schweik". Heinz Rühmann rises in sport aircraft. Rabten at the wheel of the sport aircraft, large. He operated the lever on the dashboard. Aircraft rolls, launches and flies.

03. horse show in Aachen - Aachen Grand Prix title: victory in the 5th playoff - picture: Alwin Schockemöhle in the jump. Waving handkerchiefs, screen-filling. Ride the horse. Different audience, great. Older man, spectator, woman with Hat, woman with binoculars, old woman. Riders jump over obstacles, ZL. Jump on the side and frontal. Horses and riders plunge at jump, ZL. 2. sticking: Piero d ' Inzeo on Belliblack on the course. The Swiss Blinkensdorfer on Apache jumps over the wall. Piero d' Inzeo jumps over the wall. The Argentine Hugo Arrambide skips wall in Chimbote. The German Rainer Hedde legend throws the wall. 3. technical: Blinkendorfer breaks the wall, d ' Inzeo and Arrambide jumping over the wall. 4. Piercing: D ' Inzeo and Arrambide both tear the wall at 2.10 meters. 5. technical: Both riders tear the wall again. Both riders share the victory. Replace the horses, half-close. Waving handkerchiefs. Ride the horse.

04. people in the Zoo title: you love animals? -Image: Baboons. Hand expects electronic calculator. Head of a giraffe, tall. Penguin rubs its head. A camel, big head. Electron computer with punch cards in the Allensbach opinion Institute. Additional feet of penguins. Standing legs of zoo visitors. 3 penguins, from behind. 2 parrots Bill together. Deer, half-close. Antler of a deer on enclosure. Seals in the basin of Hagenbeck. Spectators at the seals. Woman throws food. Brown bear. Polar bear wallows. Elephant eye, great. Interview by Zoo visitors actuality: "So, here in the Zoo I like to keep the elephant." - "So, I'd say the elephants prefer." Elephant with cub. Survey of men, o-ton: "all that is a predator and above all, if it is a little bit bigger, then I stay there like to stand."-"Oh, I have to say the Tigers and the Lions." - "for the predators. Tigers. Leopard." Yawning Tiger. Lioness. Young man with Beatle head. Lion's head, great. Woman with wild hair, from behind. Search for baboons in the fleas. Monkey's banana. Women laugh. Girl, it's great. Monkey with baby. Pigeon sitting in front of bear's head. Pigeon flies up. Bear straightens up and roars.

Title brand israel. Museum Israel Museum in Jerusalem camera: Woskowitz not only funny portrait Hein Rühmann camera: Vlasdeck origin: Archive victory in the 5 cutting horse show, Gr. price v. Aachen camera: Luppa, strong, basic love animals?

People in the Zoo?
Camera: Jackson, fire, Pahl end brand

The Israel Museum Mandelbaum gate and UN patrols feature her fate as a divided city, but dynamic and life will of a 2 1/2 million people secure their future: Jerusalem, the capital of Israel, is home to the most important cultural center of the country recently. The Israel Museum, on the Hill of Neve Schanaan located just a few hundred metres from the Jordanian border, is regarded as a focal point of past and present Jewish art.
Loans - such as Rembrandt's "Moses" from Berlin-Dahlem - and donations from all over the world have enabled the construction and finishing of the Museum. In addition to examples of contemporary painting, the archaeological Department gives insight into the exciting history of Palestine as a crossroads of Oriental cultures.
In the "shrine of the book", the visitor stands works, whose Fund at the dead sea in 1947 caused a scientific sensation. There are old, partly apocryphal texts, the meaning of which pretty much makes the Museum a place of religious reflection.
Theodor Herzl's bold vision of a cultural center in the Holy City of Jerusalem meets the Israel Museum. It surrounds the national representation of the self as well as the suffering of a 2000 years of Jewish history.

Not only funny "I'm always glad to be actor when the people smiling and thoughtful at the same time come out of my films."Germany's robust film actor Heinz Rühmann recently described his inner relationship to his profession. The captain of Köpenick, the Švejk, but also the performers of Charly's aunt since 1930, succeeded to establish a quiet, delicate, and philanthropic sense of humor on the canvas. These days, Director in addition to Johanna von Koczian and Richard Münch episode film "The great love merry-go-round" is Rühmann in Salzburg under Wicker Man in front of the camera. During a break in filming, we talked with Heins Rühmann. Problem no. 1: the difficulty To find a good film materials.
"Mr Rühmann, is the choice of the subject become really so difficult?"
"Yes, the choice of subject has actually no more difficult as she always was, but if today do not care, and how we just met embarks on the journey, you get nothing, because the authors offer a curiously no substances. I have the materials today actually more audience circles, and you may not require Of course, that these substances, which are offered one, are turning ripe."
"What roles have been your favourite?"
"Yes, I can not say so. Love, each role was actually me. If one approaches his work with the necessary seriousness, Charly's aunt has become just like me as the captain of Köpenick or the Švejk. I find humorous things that you can start and start that something is not with enough seriousness, and that has become actually slowly becoming more and more so in my life to realize, you seriously have to take humor."
"Find only others or To find you on the canvas is funny?"
"Yes, so, when I can chat out of school there, I must say that I have distance to the things that I've done and that I myself discovered it, I even even laughed about me."
"The flying is her hobby. Operate this deliberately as a sport or is flying For you just relax?"
"Yes, flying is a sport and flying is a relaxation, but I think it's more than that for me. Flying is my life, I am running it now yes over 30 years, and it is actually, and I am happy, I have to say when I'm away from the Earth and fly."

Victory in the fifth cut the universally drawn cleaning cloths Not yet tell who, who guesses it in the expert on mines of the exclusive audience, which populated the expensive seats without remorse. A mixture of Rubinstein and tournament fever has transfigured the trains, it is fully among themselves, in short: it is ridden.
One of the highlights of the competition of Aachen was the Grand Prize of the tournament city, a show jumping in their list of winners like Thiedemann on "Meteor", Winkler on "Halla" and Pessoa names on "Gran gesture". One of the conditions of competition arranges sticking up to the decision. It's about 5000 mark.
It start 37 riders crash of a rider of the Russian team in the first Umlaufe. At least 20 reach the first sting. The Swiss Blinkenstorfer on the 16 year old gelding "Apache" and once by Schockemöhle Winkler trained. He reached the 3 sticking together with Piero d ' Inzeo on Ballyblack.
As the Argentine Hugo Arrambide on "Chimbote" the last German, Hedde on "Legend" tear the wall and leaves.
3. stinging: He failed the 3rd Blinkenstorfer achieved thus.
D ' Inzeo takes the two-meter-high wall as Arrambide now flawlessly.
4. sticking: D ' Inzeo not about that now comes on 2 m 10 increased wall.
Dr. Arrambide is not happy. It goes in the fifth playoff.
D ' Inzeo on the eleven-year old Irishman Ballyblack tears again. And also Arrambide must bow to the exhaustion of his horse. This exciting but questionable athletic test ends with a shared victory. The riders will certainly think given its overextended horses over the wisdom of the tournament Committee. Do you love animals?
It must almost be considered libelous, to ask the question, in Germany after the animals because no inclination of the Germans is as reliable as the animals. It is little wonder, then, if the Allensbach opinion Research Institute statistically accurate, determined that 91 percent of all U.S. Republicans have been in the Zoo. The second question of the pollsters, however, is much more revealing: where stop you prefer in the Zoo? In the tier rankings for popularity among the people the deer ended up in 6th place - despite unpleasant Parallels. In fifth place the seals. A little more popular the bears. Fourth behind the world were-Sie single ivory manufacturers.
"So, here in the Zoo I like to keep the elephants." "So, I'd say the elephants prefer."
It seems reassuring that, around 33% of the animals congregate, where they say to wisdom. But the machine calculated that even greater attraction has the properties of another Zoological family.
"All that is a predator and above all, if it is a little bit bigger, then I'm in there like to stand."
"Oh, I have to say when the Tigers and Lions."
"For the predators. Tigers, leopards."
The men in the majority are among the followers of the predators. Every second man reflected - according to statistics – including its vanities in the dynamics of the dangerous cats. But the women decided the demoscopic struggle for human affection in favour of the monkey. To him, wondering where the zoo visitors prefer remain decided: "Preferably with the Mantelpavianen, because it is Very much interesting, always funny."
"In the monkeys, which are the most interesting." "When the monkey."
The special relationship between Monkey and human seems to confirm again by this result.

Date of Release:

13.07.1965

Year of Production:

1965

Camera Work:

Brandes, Klaus; Grund; Jürgens; Luppa; Pahl, Georg; Starke, Rainer; Vlasdeck, Willy; Woskowitz

Rights Holder:

Federal Republic of Germany

Producer:

Deutsche Wochenschau GmbH

Film Format:

35 mm

Colour:

b/w

Audio:

Sound

Languages:

German