UFA-Wochenschau 480/1965 05.10.1965

01 papst Paul VI. before the UN and Gypsies - Pope feature title: Pope on the move - image: statue of liberty United States. Houses front Harlem, Negro in Harlem. Pan across skyscrapers. Silhouetted UN flag before UN building. Gypsy. Gypsy woman with child. Paul VI. moving through crowd. Paul VI. blessing from the balcony. Paul VI embraced Gypsy. Gypsy kneels down and kisses I hand. Travel Pope Paul to Bethlehem and to India. Pope Paul VI. before the Council. Paul VI. upon arrival in the United States goes down stairs, total. He has been greeted with a kiss on the hand. Paul VI. beckoning. Paul VI. recite speech, totally original sound. Paul VI and Johnson, great. Paul VI goes next to Johnson. People are pushing through shut-off, totally. Helicopter flies over New York. Aerial view of the motorcade.

02. money series: pension papers title: money has no secret - picture: door. Hand knocks on door. Industrial plant. Aerial view of Frankfurt. An electric train. Letter sorted machine. Postman knocks on door. Woman opens the door. Postman has open hand. People at bank counters, total. Fixed-income securities, great. Mortgage, great. Sports stadium, total. High diver, great. Blast furnace with iron bars. Industrial recording. Construction site. Vault door opens. Stock, great. Pension bonds, great. In the outline of the paper boy, then running man. Banknotes and coins, screen-filling.

03. Hanover: Awarding the Golden screen on Arthur Brauner for the Karl May movie "The Schut" title: Golden screen, image: theater curtain in Hanover, people at the ceremony. Artur Brauner receives the Golden screen, great. Dieter Borsche with flowers by stage immediately, half-close. Lex Barker front microphone, half-close. Ralf Wolter, half close, Werner Peters, half-close. Schleswig-Holstein: Filming "The pious Helene". Illuminator build spotlight on frame. Cameraman next to camera. Simone Rethel sits down on the Chair. Make-up makes the pious Helene hairstyle. Count Axel von Ambesser, as Wilhelm Busch, large, laughing. Proposed one above the other legs of the pious Helene with lace trousers and boots. Simone Rethel, great. Simone Rethel on ladder. Cousin Franz, great.

04. Munich: Oktoberfest with actors of the film "Carousel of love."
From beer tap beer in glass runs great. Nadja Tiller with Sepplhut, great with beer glass. Anita corner mountain with big beer glass. Nadja Tiller attaches itself to gingerbread heart. Bavaria Chapel. Nadja Tiller conducts the Chapel, great. Beer tent, totally. Nadja Tiller, Walter Giller, Anita corner mountain and man, half-close. Illuminated chain carousel rotates. Nadja Tiller and Anita corner mountain drive in the whirligig. Spinning Whirligig, lit, total.

05. Munich: Football Munich 1860-1 FC Cologne title: game master - image: spectators blowing Horn. Football audience, great. Old man, man threatens with fist. Game scenes. Goalkeeper keeps ball, ZL. Game before the Münchner Tor. Overath to playing defense. Thielen has an effort on goal. Goalkeeper blocks. Large audience. The left wing of Munich rebele's scored a 1-0 for Munich. Audience has on his hat, big. Spectators wave flags, total. Patzke separates Thielen of the ball, which falls down. Big audience, great. Löhr / Cologne shoots the equaliser. Playback of the Munich players. Shot on goal. Ewert, keeps the ball. Spectator wearing headscarves, large. Koutaibi in the gate, half-close. Radekovic keeps ball ZL, close to half that. Viewers wearing glasses, large. Great shoots up to the 2:1 for Munich. Cheering spectators, great.

Title mark Pope on the move of Pope Paul VI-feature with Gypsies, and in New York origin: No.-do, Metro, UPI archive money has no secret bonds Golden screen award d. Golden screen camera: Luppa, reason, Jackson Studio mirror "pious Helene" camera: fire "Carousel of love"-starring on d. Mun. Oktoberfest camera: Luppa game of the champions football Munich 1860 / l. FC Cologne.
Camera: Luppa, reason, fire, l. end brand

Pope on the go Pope Paul VI New York.: A message that adds a new move in the portrait of the Catholic Chief Shepherd, the Pope of the poor, as the he 2 years ago his pontificate began. We show back on the various forms of dialogue, Paul VI. was looking for with the world of the 20th century. In Rome: An unorthodox encounter with Gypsies, featuring for the social perception of the 68.
The journey of a pilgrim to the Holy land. Of Bethlehem from the Pope of the world cried: we know that modern man puts his pride in there to do everything myself, but he fights against itself we have to send him a message that could free him. Thoughts that accompanied Paul VI to India. Also here as pilgrims and not as a missionary.
Paul VI. proved that on the 2 now Pope of the balance between conservative and progressive forces. Council in intellectual discussion are his ways, to reform the Church in a changing world, are unusual.
Again as a pilgrim he traveled now to the UN in New York, not to multiply the chorus of critics, but because he is realist enough to strengthen the only power that can save the peace, in their authority. At the airport, he honored the host country of the United Nations, the United States of America.
Original language of the Pope.
Paul VI and President Johnson talked about a problem to cope with both in their own way are looking for nearly an hour: about peace. "No more war, never the one against the other". Words addressed Pope Paul VI. to the world. 18,000 police officers guarded the lonely path of a man of who considers threatened world peace seriously. On the eve of his coronation, the Pope had said: "what will become of me? I don't know it. Another will gird you and carry you where you do not want." Money has no secret can you imagine that an industrial company or a city like Frankfurt as the federal railways or the Federal Post Office when you knock, to borrow money? And yet today on the capital market of course is the a process, and give, and called the promissory note issued for the borrowed money, in the language of the Bank: annuity or fixed-income securities. This is the generic term for covered bonds, bonds of the public sector, corporate bonds and so on.
An annuity is usually over 100 marks. Multiplied by 100,000 private moneylenders that makes the capital then, as a town for example needs to build sports facilities, or to every resident to ensure this capital but also the industry can finance a new operation, so investing a reasonable place in the public swimming pool. In contrast to the stock, but they are not co-owner of the new plant, but lenders and in this capacity, entitled to interest, the amount of which is determined in advance to.
Because of the regularity of the payment of interest, usually twice a year, these papers are called also pension values. Fixed-income securities yields high.
Shares are a dynamic investment. Bonds, however, are a constant investment in the long run. Their duration is between 8 and 40 years. You can turn into cash at any time again.

Golden screen "I am particularly, you this golden screen, it's the 7 screen, and good luck, to be able to present with the best congratulations determined." Probably the one who can accept such prices."
This desire was the Berlin film producer Artur Brauner, who awarded time "Golden screen" could accept in Hanover to the 7th to well-being. He received a filmwirtschaftlich highly satisfactory performance. Period of 12 months, viewers saw the Karl may movie "The Schut" more than 3 million. This success involved as an actor including: Lex Barker Ralf Wolter and Werner Peters.
Lights and cameras on the latest discovery of the German film was focused on an estate in Schleswig-Holstein: on Wilhelm Busch "Fromme Helene". Ambessers directed, the 16 year old Simone Rethel plays the title role.
The not always unclouded relationship between cousin Franz and Helene will be staged against the background of lovingly reconstructed Biedermeier period. The script writes the appearance of Wilhelm Busch about the original fabric, Director Ambesser hatched himself in his mask. Not only serene art of the artist and poet learns a new interpretation, where we will discover surely also the satirical and socially critical accents again on the canvas. Bavarian beer, here real by Nadja Tiller - ripped there somewhat unorthodox balanced by a surprisingly high closed Anita Ekberg: impressions, we gathered in a beer tent Lodge of the Oktoberfest Beer Festival. Prominent film stars were descended from the "Liebeskarussel" which premiered on the German screen in the arena of the Munich Oktoberfest.
Aim of the stars, which is ventured in the episodes film "The carousel of love" by a sort of "Anatomy of love", was a crime scene tour: she climbed, now already slightly open, a dear carousel.

The master game German soccer faces, cheerful, wake, left, and in their peacefulness touchingly beautiful. Observed on the edge of one of the best and most exciting games of the young goalkeepers in Bavaria's main city. Munich 1860 against the 1st FC Cologne, two coloured shirt. Each team fights with 8 internationals.
A duel between Ewert and fountain Meier is one of the most enjoyable game scenes. The Munich striker is an unusually fair loser.
Our bat before the Münchner Tor recorded one of the most brilliant moves. Cologne left half front-end Overath plays around the defense of the Lions in the slalom. Thielen uses his passport to a fact untenable shot.
25 minute. Munich can make his right wing barely stronger. The edge by hot turns left winger rebele's 1-0.
One of the hardest Taklings in the otherwise fair game: Patzke separates Thielen somewhat unzart by the ball.
59th minute. Cologne's best striker Löhr shoots Defense during a sudden weakness of the Munich-based 1: 1.
After the compromise, two great storm series turn the fight in a game of the goalkeeper. Ewert saves twice against the Lions.
And Koutaibi, has recently also with Golden throat, lucky against Cologne.
After 77 minutes full of soccer excitement sends rebele's great journey. And the first victory against Cologne succeeds in Munich since the founding of the Bundesliga.

Date of Release:

05.10.1965

Year of Production:

1965

Camera Work:

Brandes, Klaus; Grund; Jürgens; Labudda; Luppa

Rights Holder:

Federal Republic of Germany

Producer:

Deutsche Wochenschau GmbH

Source Foreign Material:

No-Do; UPI; Metro

Film Format:

35 mm

Colour:

b/w

Audio:

Sound

Languages:

German