UFA-Dabei 800/1971 23.11.1971

01 Bonn: Extraordinary SPD Party Congress (fiscal policy as a social policy) Erhard Eppler in the profile on microphones, half close, actuality to the fiscal policy of the Government.
Recorded interview: Never existed a taxation policy, which would not have been company policy; the question is, whose favor. And so a social democratic fiscal policy will be also Socialist social policy."
Applauding audience. Swivel on the front wall of the Hall with font: "SPD ' 71, an extraordinary Party Congress". Wang, Schiller, liver, Annemarie Renger sitting in a row. Willy Brandt's hands, pivoting on his face, close. Helmut Schmidt with Wang in conversation, great. Mrs Annemarie Renger, frontal, close. Schiller, Philip Rosenthal, nah, big, Wehner, Brandt, Wang and Schmidt in a row sitting, half total. Rows of tables with participants. Willy Brandt speaks on microphones, close to half. Actuality: "now, these people To want apparently misunderstand For what I confess myself again and that is this: of job security should not be played with - that's the point!" I'm asking us to, and that is above all the economic and Finance Ministers, to help that can be mastered the difficult tasks ahead of us." Applause. Wehner with pipe, half-close. Schiller, close to half of microphones. Interview: "we need to keep the high level of employment in our country and we need to ensure the competitiveness of our economy." Listeners. Wehner and Brandt, from the half back, sitting. Käthe Strobel and Steffens/Schleswig-Holstein, together at the table, half total. Total of participants.

02. Cologne: Olympic fashions demonstration on the high street men's and women's Olympic attire for all purposes, various settings. Interviews: to the Olympic clothing with passers-by. Sound bites: "I find BB´s good." - "very chic, not" "very correctly the clothing and modern."-"clothing is very tasteful and Very good selected - the two herons as well as the single-breasted." The trench coat is also Very much chic worked."-"so overall I find it not very successful, I have to say. Because these Western suits find I somewhat stiff, otherwise this Ausgehanzüge can in and of itself quite fast I."-"Yes, I find the clothes at least unusual. Not everyone so things around."-" I think the clothes are Very much beautiful and they are all Very much fashionable. "-"so, I'd say, if the services are accordingly as the clothes, then we have quite A lot of chances."

03. Hamburg: art theft in the Hamburger Kunsthalle art Hall, Traforückfahrt, total. Indoor shots with visitors. Catalogue of the "masters of the 19th century" is turned. The stolen painting in the catalog. Total Corot "pond of Ville d' Avray" and 2 paintings by Delacroix 'Tiger and snake' and 'lion and alligator' and millet's "daughter of the artist". Empty frames on the ground.
Reconstruction of the Act: "Perpetrators" climbs the flat roof of the Kunsthalle, rises above the skylights. Gloved hands open the roof window. "Perpetrators" is evident in the rope in the exhibition space. Pan across several pictures in Torch light. Hands screw pictures out of frame. Long shot of the Kunsthalle, from the back side Traforanfahrt from skylights seen. Interview with Prof. Hofmann, half total: quote: "Why are the images not insured?" - "there is no Museum in the world that would be able to insure his own possessions. "The reasons are financial: we that could not afford simply." Guard plug clock at night tour. Electric wires as a backup of the basement. Hofmann, close, speaks. Interview: "the alarms, which were built in the art Hall about 12 years ago, have proved now inadequate. "But before we knew that this system is in need of supplementary and since mid of this year preparations towards an improvement of the protection - preparatory work, iterate through dienun unfortunately or fortunately this theft will experience a certain acceleration."
Under the original parts of the alarm systems. Traforanfahrt on authority. Letter to the German newsreel about insurance of the Kunsthalle. Man climbs the ladder and cut lightning rods. To see new security guard from behind.

04. Berlin: Klaus Kinski and "New Testament" Klaus Kinski climbs stage, totally, to the microphone in the spotlight, half total. Original sound of wave and heckling from the audience. Actuality: "the wanted is no fixed abode, blasphemer, stateless persons, Gypsies, prostitutes are its surroundings" - "For 10 marks to do even what, boy!" - "now, look!" - "come on, shut your trap, so that you can hear what I say now - and above all, you come here now, which has such a big mouth - come here!" - "Christ was, as far as I know, tolerant and if one contradicted him, then he was trying to convince him. "He never told: shut your snout!"-"no, he didn't say: shut your snout, he took a whip and hit him in the face." He did this, you stupid sow, this can also happen you!"-" and you also! "-" there are now two possibilities: either those who do not belong to the rabble, throw out the other or they have paid their money for nothing. " Kinski holt man from the audience who answers him into the microphone. Temper tantrums of Kinski: Kinski leaves the stage. Börner interviewed a young man who responds and a second man.
Actuality: "Kinski is meditation tool to God for me. "He recognized, he has recognized the God in me, know the God in himself and I didn't recognize the God in me and the God in it yourself" - "but I can imagine that Christ personally had thrown any objects through the area, if it would somehow be upset." - "and In addition, I believe that Jesus at least, if not yet A lot as I had radical outbursts of temper." Klaus Kinski in interview with his wife, half-close. Klaus Kinski rages with a boxer on the ground. Kinski takes his wife in the arm and kissing her. His hand holding a doll. Kinski speaks big to Börner.
Actuality: "could do it people, when their own leaders hold in television or somewhere to fool. Then they should go forth and take away the microphone this large schnautzers, and then we will see what happens with them."
On the stage at the microphone close to Klaus Kinski. Actuality: "Jesus is there, the desperate; call Jesus is there, call the screaming mothers in Viet Nam; Jesus, Jesus is there." Tumult. Young man at the microphone, close: Interview: "Kinski should the apologize, which the staircase is pushed here!" - "you but, you hear me, I tell you: love your neighbor as yourself!" - "asshole." - "so now for others, one coming up now of these imbeciles and talk." - "I can, I can get a quote: works ye shall know them." That is key for me." Kinski leaves the stage. Young man on the MIC. Kinski puts blow him in the face, close. Kinski interview: "The idea is finished". Kinski throws away the microphone and leaves the stage. Laughter and whistles from the audience.

Extraordinary SPD Party Conference, Bonn camera: Luppa Olympic fashions show, Cologne, camera: Luppa art piracy typically Hamburger Kunsthalle camera: Ahsendorf Klaus Kinski in Berlin m. "new. Testament"camera: Pahl at the beginning and end of total length

These moments: Notes at the time "never e gave its fiscal policy, which would not have been company policy: only question is whose favor." And so a social democratic fiscal policy will be also Socialist social policy."
Erhard Eppler had agreed on the theme that should dominate the extraordinary Party Congress of the SPD: fiscal policy as a public policy. Against the party establishment that government responsibility and wishes of voters forced to withhold, left reformers tried the storm on Schiller's business concept that already two days Secretary Rosenthal had previously taken under fire. Chancellor Brandt kept against critics from the right. "Now, these people To want apparently misunderstand For what I confess myself again and that is this: of job security should not be played with - that's the point!" I please, us and that means above all the economic and Finance Ministers to help that can be mastered the difficult tasks ahead of us."
"We need to keep the high level of employment in our country. and we need to the competitiveness of our economy secure despite Schiller's concerns: the increase of in taxes for corporations and large income for later is on the party program.
""I find's good"-"very chic, not"very correctly the clothes and modern".
Germany's Olympic athletes are distinctly fashionable pull in the fighting. The German Institute for menswear presented the clothing of the German Olympic squad. Audience test on Cologne's high street. The invasion-clothing for men: a double-breasted Blazer with wide rising lapel and striking stitched pockets with pleats.
Also a City stroll on the athletes wear a combination: single row jacket with back strap, the trousers in beige, the shirt in the bold stripes.
The Olympic women's clothing style is strict: the jacket in Blazer form to either skirt or pants and dark blouses. The National Olympic Committee chose the partners look for the casual wear.
"The clothes are very tasteful and Very good selected - the two herons as well as the single-breasted." The trench coat is also Very much chic.
So overall I think it's not particularly successful, I have to say since, this West Bruges, I find that somewhat stiff, otherwise, I find this out suits in and of itself quite fast.
Yes, I think the clothes at least unusual. It's so walking around not everyone.
I think the clothes are Very much beautiful and they are all Very much fashionable. "So I would say if the services are accordingly like the clothing, we have quite A lot of chances."

This report: rope trick for collectors for schools and silent viewers you had hoarded them: culture for many million marks. Now, a million robbery in Hamburg was disturbed the Idyll of the Museum. Kunsthalle Director Hofmann laments the loss of four paintings.
"This is the stolen Corot"The pond of Ville d' Avray", here the two Delacroix"Tiger and snake"and"lion and alligator"and here of the stolen millet 'The daughter of the artist'."Art theft"made easy! In cooperation with the police, we reconstructed the fact. On the lightning rod reached the perpetrators on the 25 meter high flat roof. The road led to the unsecured skylights.
Each window can be opened with one hand. A simple rope trick led to the estimate. Valuable painting not note the hoodlums. You chose certain pieces. Includes detectives: the theft is the work commissioned by an obsessive collector. The individual backup of images lacking in Hamburg. Art here hangs loose stripping. Professionally, the art connoisseur solved the selected objects from the frame.
The skylights have been undoing the Museum. Why has it not insured the treasures?
"There is no Museum in the world that would be able to insure his own possessions. "The reasons are financial: we can't afford just that".
At night, a single guard guarded the museum piece. Thin electrical wires back up only the basement. The Museum budget of 300,000 mark is not sufficient for the construction of a home security system. Director Hanson wants more security.
"The alarm systems, which were built in the art Hall about 12 years ago, have proved now inadequate. But previously, we knew that this system is in need of supplementary and since mid of this year preparations towards an improvement of protection - preparatory work, which now unfortunately or fortunately will experience a certain acceleration by this theft."
The authority responded to the robbery with equanimity and officials logic. Our question for more security, they answered in writing: "the precautionary measures were according to the level of knowledge of sufficient, indeed, this will be checked again at the time of the culture Office".
As a precaution, the Ministry of culture arranged two security measures: she had cut the inviting lightning conductors and tapered the guards.

This show Kinski as Jesus Psychogram of the scandal eccentric Klaus Kinski: new-Bible words in the night to Sunday in Berlin. "The wanted is no fixed abode, blasphemer, stateless persons, Gypsies, prostitutes are its surroundings."
"For 10 marks to what do time, boy!" "So, now watch this! "- Come on, shut your Sohnauze so you can hear what I'm saying now - and above all, you come here now, which has such a big mouth-komm here here!" "Christ was tolerant, as far as I know, and if one has opposed him, then he tried to convince him. "He never said: shut up!"
"No, he didn't say: shut up, he took a whip and hit him in the face." He did this, you dipshit, and that can happen even you!"
"And you too!"
"There are now two possibilities: either those who do not belong to the rabble, throw the other out or they have paid their money for nothing."
"Kinski is meditation tool to God for me. "He recognized God he has recognized the God in me, know the God in himself and I didn't recognize the God in me and the God in himself" "But I can imagine that Christ personally had thrown any objects through the area, if it would somehow be upset."
"And In addition, I believe that Jesus at least, if not yet A lot as I had radical outbursts of temper". Klaus Kinski, the madman of the service in the International Theatre and film business, for decades, the industry has changed. Advertising he floats on the wave of Jesus with. How does he assess the disruptive actions?
"People can do that, if their own politicians on TV or somewhere to fool. Then they should go forth and take away the microphone this large snouts and then we will see what happens with them. "Jesus is there, the desperate call: Jesus is there, call the screaming mothers in Viet Nam: is Jesus, Jesus is there." "Kinski is to apologize to the, which the staircase is pushed here!"
"You, you hear me, I tell you: love your neighbor as yourself." "Asshole". "Now for the other one coming up now of these imbeciles and speaks."
"I must, I must get a quote: the works you shall know them." This is crucial for me." The idea is finished."

Date of Release:

23.11.1971

Year of Production:

1971

Camera Work:

Luppa; Pahl, Georg; Ahsendorf

Rights Holder:

Federal Republic of Germany

Producer:

Deutsche Wochenschau GmbH

Film Format:

35 mm

Colour:

b/w

Audio:

Sound

Languages:

German