Die Zeit unter der Lupe 803/1965 15.06.1965

01 de Gaulle in Bonn waving flags. De Gaulle aircraft stairs going down, half-close. Greeting with Chancellor Erhard, half-close. Present Ehrenformationen of the army and the Navy. Mercedes fenders side by side parking in long series. Cameramen. De Gaulle speaks Erhard before microphones, half-close. Schröder in addition to Kiesinger, half-close. Couve de Murville in conversation, half-close. Erhard at the negotiating table next to Schröder and Kiesiner. De Gaulle Couve de Murville and Pompidou. Negotiating table, total. Cameramen. De Gaulle, walking, half-close. De Gaulle in addition to Adenauer, half-close. Small child before diplomatic car. De Gaulle is adopted by Adenauer before cars. Crowding around the car. Mercedes moving from.

02. space capsule Gemini IV. - Edward White in the space of US aircraft carrier with rotating radar screen. McDivitt and white on the aircraft carrier, half-close. Edward white floating in outer space. Protective glove will be lost. Nozzles gun camera mounted on.

03. Klaus Hallatt portrait Bernhard Wicki introduces Bernhard Wicki. Bernhard Wicki on stage in front of microphones, half-close. Walters at various award ceremonies. Wicki bows before the curtain. Walters next to Ruth Leuwerick at filming. Close-up shots, stills: Wicki as Beau travail, as funeral guest, as a doctor, as a dancer, as an officer. Film clips from the film "The last bridge". Wicki, a Yugoslav partisan in game scene with Maria Schell interview. Photographs of him. Man sees under tent out. Girl at the window. Old woman next to grid. Young woman before of old woman. Bare trees In the background of man. Director Walters at Rotary images to "The miracle of father Malachia". Bernhard Wicki in his house in Munich playing in the garden with his Afghan hound dog. Walters in his house at the desk, totally. Wicki writing, half-close. Klaus Halliday's interview with microphone over by Wicki. Bernhard Wicki, great.

04. Hamburg: driving Derby wagon appreciative horse legs. With horse team driving in a row. Ride of the car from Franz Lage through village and forest. Behind the horse-drawn carriage cars. Included horse-drawn carriage from the front. Panoramic view from the coach seat on horse back. Hands with the reins, big. Franz Lage, big head. The car in the area. Drive through gates in the forest. Galloping horses before the cart. Heads of horses. Spinning wheel, great.

Title brand spotlight on de Gaulle in Bonn camera: Basic, Luppa, strong technique Gemini space capsule (white space) origin: Metro Klaus Halliday presents: Bernhard Wicki camera: Vlasdeck sport riders Derby in Hamburg-kl. Flottb.
Camera: Rau, Rieck, l., end-of-fire mark

Focus on: President de Gaulle in Bonn the german-French relationship - often enough the preferred object for visions of unreality is been one through the recent Bonn talks. Charles de Gaulle stressed the national and international responsibility of both Nations, which have now come together for joint practical work after many vicissitudes.
(Original sound President de Gaulle)
To some contradictions in policy issues, both Governments on the ground negotiated good knowledge. At the core issue, the financing of the common agricultural market, it will be appear on the EEC meeting in Brussels whether Bonn is hard enough to assert its interests and the position of France. An old and certainly also unchanging friendship was evident after the one-hour political meeting between the French President and Chancellor Adenauer. The two leaders were equally Unbowed as confidently - with tenderness for Bonner representational pieces and applause at the roadside in front of the cameras the capital adopted her French guests.

Acrobatics at all of the great space adventure in the history of American Astronautics comes to an end. Behind James McDivitt and Edward White, there are four days in a State of weightlessness. The information material they brought the American space agency, a film with images of unique brilliance and almost complete depth from zero to infinity - time lapse recording, is filmed by two cameras at the get out maneuver of Edward whites at a speed of 28000 kilometres per hour.
White promised leave the capsule through a line of gold-plated, reflecting the Sun's rays.
A heat-protective glove will be lost. He remains a satellite in space. Using a nozzle pistol, a camera is mounted on the moves for 20 minutes first person even controlling at all - the look freely at 270 kilometers deep, where he can see small lakes, airstrips and even the wake of ships on the sea. The moment of his return to the capsule was "the saddest moment of his life" according to Edward Whltes.

Klaus Hallatt is preliminary: Bernhard Wicki honored with the German film award, the critic's prize, the Bambi and international awards - so you know Bernhard Wicki today - one of the most prominent filmmakers who made within a few years by the German movie world career. We know him as a partner of Jeanne Moreau, Liselotte Pulver, Maria Schell and Ruth Leuwerik. The actor Wicki won sympathy by nuances, he porträttierte people without pathos - as a question Legnionär in the guise of a guest's funeral, in the white coat, as a charmer, as a unheroischer officer and as a Yugoslav partisan in Käutner's film "The last bridge".
(Original sound from "The last bridge")
His hobby, photography - appreciated by connoisseurs in exhibitions and photo books - was the precursor for him to film direction. His start - "the bridge" - brought him international praise, and "The miracle of father Malachia" confirmed Walters as a dynamic, obsessive Director.
These days, we met him at a short stopover in Munich. The movie "Morituri", his first Hollywood production, lies just behind him. Klaus lifting Ecker spoke with him about economic and artistic aspects of American and German film. "Mr Wicki, it is reported that the film ratios in the United States significantly have improved that the crisis is over. Is that so?"
"Yes, my ' opinion, Yes." I, everyone is optimistic, the cinemas are full visited and the cinema goes up absulut. The reasons are I believe that the Americans from the start not the so-called art film to do, but entertainment. Entertainment is entertainment, but as a goal at the highest level. But entertainment means that it must be understandable for the average consumer, for the normal movie-goers, the film is a medium that is intended for the general public in the first place for me.
"They say that it is not easy for a Director to work in Hollywood. He's not very many artistic liberties. What experiences have you had?"
"It - that's right, that you have not same freedom, a Director in Europe is used. But I would say I have every freedom when turning, I want only. "I would like to say that the American producers are from the outset first time not just money people but also to the production of a film, to which, the technical sequence of a film and also the I believe to understand something of the artistic quality are not only financial people."
"We have the hope that the upward trend of the film industry in America spreads also to German conditions. See a chance for this, and is not something important, namely that the producer must have a stronger sense of artistic?"
"Yes, I think absolutely, and I believe that Germany has one, Germany first class actor, didn't he." What it takes in Germany are producers, script writers and maybe younger directors."
"Are you optimistic enough that the upward development could be transmitted the film industry in the United States also on German relations?"
"Yes, but I think hardly, that this very dubious action 'Clean canvas' will help. We need a cosmopolitan air. We must make films that are good entertainment movies and meet the world level."

The go-Derby the remnants of a noble society have claimed their place in a sport. 7 four carriages have gathered in the morning two carriages from Hungary Lopukhina, Oldenburg and Hanoverians, and for the first time at 5:50 in Hamburg-Flottbek. You start to the German driving Derby in 1965. "The dominions are extended," laity about this Derby would judge - connoisseurs but know that unique performance are required on this 35 kilometers of horse and rider. The trail riding is only a course of military - and hunting horses tests to compare with its high standards.
Before the Sprint: Change the fastest gait of the gallop, to trot.
Franz Lage accompanied by next of kin, assistants and this Derby to the 7 time winner ended a timekeeper. A Memorial race for the comfort of our ancestors, such as a car-driving journalist noted.

Date of Release:

15.06.1965

Year of Production:

1965

Camera Work:

Brandes, Klaus; Grund; Labudda; Luppa; Rau, Kurt; Rieck, Hans Jürgen; Starke, Rainer; Vlasdeck, Willy

Rights Holder:

Federal Republic of Germany

Producer:

Deutsche Wochenschau GmbH (Hamburg)

Source Foreign Material:

Metro

Film Format:

35 mm

Colour:

b/w

Audio:

Sound

Languages:

German