Deutschlandspiegel 178/1969 31.07.1969
01 100th German Derby of Hamburg / Horn: long shot of to Racecourse with audience (supervision). Horses in the lead ring. People, screen-filling. Viewers keep brochures in hands, great. Drawings and photos from the past. A spectator wearing a hat, close. Horses run in start machine. Viewers with Pompommütze, close. Horses start machine. Start, frontal. Race on straight and curve. Viewers with binoculars. Advance in the HomeStretch by Ovid and Don Giovanni. Enema, ZL, Don Giovanni WINS. Man with cylinder and binoculars, large. Winning horse Don Giovanni gets wreath.
(10: 10:00 10:02:15) 02 Heinemann a, b, c, d Brühl near Bonn: Schloß Augustenburg, long shot. Fountain in the Park. Guests on the porch and in the Park. Lübke, Wilhelmine Lübke and Heinemann, close. Photographers, close. Lübke with Wilhelmine Lübke, close. Heinemann and Ms. Heinemann, close. Guests, close. He was shaking hands with Lübke. Mrs Kiesinger shaking hands with woman Lübke. Waiting guests make snake. Kiesinger and wife Kiesinger Heinemann and Ms. Heinemann To give the hand. Willy Brandt and Ruth Brandt. Big tattoo of the Bonn Wachbataillons (evenings with torches).
House by Heinemann in Essen. Heinemann crosses with Mrs. Heinemann garden, half-close. Heinemann, great reading. Chamber of the Bundestag in Bonn: total, Lübke sitting next to Heinemann, half-close. Government banks: Brandt and Kiesinger, close. By hassel Heinemann sworn in as new President, Heinemann, o-ton: "I swear [...] "God was my help." Deputies clapping. Heinemann is the hand, total Lübke.
(10:02:10 10:03:50) 03. Prof. Walter Gropius a, b newspaper photo: Professor Walter Gropius (review, he died of complications the 5.7.1969 in Boston / United States), great. Drawings and photos of its buildings, including the Pan am building in New York. Photo of the young Gropius, great. Weimar: Photo of the Bauhaus. Various pictures and drawings on the wall, including Paul Klee, Lyonel Feininger, Wassely Kandinsky. Exhibition "50 years Bauhaus", visitors to the exhibition. Drawing and model for serial houses. Visitors to the exhibition. Seating furniture. Gropius, great. Berlin: Passing on construction site (large houses are built). Finished Gropiusstadt, cars drive along the edge. Girl makes climbing frame forward role. Woman pushes a stroller through settlement. People in the settlement. Gropiusstadt (supervision, medium).
(10:03:40 10:05:30) 04 Wankel engine Neckarsulm: old church, shot. Pan across town. Street name "Felix-Wankel-Straße", great. NSU Motorenwerke, shot. Car bodies are transported on trucks. Artist to sign boards. Felix Wankel (photos), inventor of the circular piston engine. Rotary lobe, close, drawing. Workers in the factory. Rotary lobe are composed multiple settings. V-belt is used. Three men look at finished product. Test of the Development Department: engine is tested. Staff were great. Pointer fails. Cars are assembled in the Assembly Hall. Use of headlights. Motor is installed. Steering wheel is used, great. Training: Employees are in the technique of circular piston engine made familiar, medium. Actuality of the lecturers. Roller test stand: Check motor, gear is engaged. Dashboard, great. Control box. Wheel is spinning fast, great. Car roll test. Hand-operated switch, large. Lighting system will be tested.
(10:05:25 10:08:15) 5th art exhibition Recklinghausen: exhibition "Art as a game or game as art" on the occasion of the Ruhr Festival. Man whistles and speaks with incandescent lamp ("Speaking pear" by Yaacov Agam", which burns at noise.) Visitors look at works of art. Visitors try out toys. Woman uses "Sounding sculpture" the Baschet brothers. Mechanical image from the 18th century, singing wooden bird in cage, rotating doll with melody. 19th century: Man seen artwork, toy soldiers as a chess game. Modern Chess by Max Ernst. Two women pull down hanging spirals. Artwork makes noises. Women discuss artwork. Visitors walk through mirrored mobile walls. Visitors go up stairs, frontal. Visitors try out different works of art. "Mobile sculpture" by Günter Tollmann moves. Visitors make pictures. "Mally", Chargesheimer meditation mill. Visitors walk through the exhibition. Visitors are reflected in artwork.
(10:08:05 10:10:55) 6 open-air museum Molfsee near Kiel: rotating wing of the "block mill" in the open air museum. On road cars. Rotating wing. Horses in paddock. Rieddachhaus. Old timber-framed house, old cannon. Visitors walk through the open-air museum. House of Lorenz Petersen de Hahn (dating back to 1799): old tiled room. Painted plate, close. Old teapots. Painted ceiling. Bed. Heydenreichsche farm, half-close. Visitors go in the House. Tiled kitchen with fire place. Crockery in ornate Cabinet. Old grandfather clock, great. Spinning wheel, half-close. Ornate chest (for the bridal treasure). The bridal door. Open-air museum, shot. Rowing boat is located on a small lake, on Lawn stork.
(10:10:45 10:12:15) 07. Kiel - week sailing when the set of boats and sailing before start. Sail is raised. Regatta field, medium and balloon. Set the spinnaker. Super yachts at sea. Sailing boat, sailing is obtained. Helmsman, close. Panoramic view from the mast down on boat. Bloated sailing.
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- Federal Republic of Germany
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100 Years of Bauhaus (April 1919)
Bauhaus is one of the best-known and most efficacious art schools in the world, even today. Despite its short-lived existence of barely fourteen years it has fundamentally altered creative and artistic thinking and doing. Founded by Walter Gropius in Weimar in April 1919, Bauhaus had the idea to unite the creative disciplines into a new architecture, to merge craft and fine arts, and at the same time to pursue completely new interdisciplinary educational concepts. The teachers hired by Gropius are eminent artists, such as Lyonel Feininger, Paul Klee and Wassily Kandinsky—turning Bauhaus into a stomping ground for the international avant-garde.
Politically induced financial problems force Bauhaus to leave its Weimar home six years after its founding. The school relocates to the up and coming industrial city of Dessau. New possibilities of industrial manufacturing take the spotlight under the motto “art and technology—a new unity” and it is here that a majority of the now iconic objects, products and buildings come into being. In 1928 Gropius hands over the leadership of the school to a new director. Hannes Meyer redirects the focus on the social aspect, represented by the slogan “the needs of the people instead of the need of luxury”. With the help of cost-efficient industrial mass production good and functional design is supposed to become affordable for the broad population. However, in times of political radicalization the staunch Marxist Meyer loses his job after only two years. His successor Mies van der Rohe depoliticises the situation by focusing on the purely aesthetic aspects and architectural design. Nonetheless, the Dessau Bauhaus has to close its doors in the fall of 1932. Van der Rohe tries to continue the institution as a private school in Berlin but is forced to give it up for good one year later. With many students emigrating and international students returning home Bauhaus ideas are spread throughout the world.
In 1960 the Bauhaus archive started building a collection to revere the most distinguished school for architecture, design and art in the 20th century. In 1968 it contributes significantly to the internationally celebrated exhibit „50 years of Bauhaus“ and receives its own museum building in Berlin in the 1970s, designed by none other than Gropius. In celebration of Bauhaus’ 100th anniversary new exhibition buildings are set to open up in Weimar as well as in Dessau.